Archives pour la catégorie Théorie

MIDI 2.0 continues to approach ubiquity

19 novembre 2022 Vincent Claus Laisser un commentaire

Association of Musical Electronics in Japan is Funding an Open-Source MIDI 2.0 Driver for Windows

Association of Musical Electronics in Japan is Funding an Open-Source MIDI 2.0 Driver for Windows

9 des Meilleures Enceintes de Monitoring de Studio [2022]

18 novembre 2022 Vincent Claus Laisser un commentaire

Sans un bon système d’écoute offrant un son neutre, vos mix ne seront pas équilibrés et leurs défauts vont ressortir lorsque vous les écoutez dans votre voiture ou sur un autre support. Par exemple, les basses seront trop fortes, les médiums brouillons ou encore les aigus agressifs.

9 des Meilleures Enceintes de Monitoring de Studio [2022]

Software, Théorie

Meta’s AI-powered audio codec promises 10x compression over MP3

12 novembre 2022 Vincent Claus Laisser un commentaire

Technique could allow high-quality calls and music on low-quality connections.

https://arstechnica.com/information-technology/2022/11/metas-ai-powered-audio-codec-promises-10x-compression-over-mp3/

Théorie

External Audio Processing for Non-Beginners

29 octobre 2022 Vincent Claus Laisser un commentaire

Feed your synth audio from your phone or tablet, and synthesize your surroundings.

External Audio Processing for Non-Beginners

Matériel, Théorie

How To Get a Synth Sound Like Jean-Michel Jarre.

18 octobre 2022 Vincent Claus Laisser un commentaire

Mark Jenkins on creating those classic abstract synth sounds that can take the place of a drum fill.

How To Get a Synth Sound Like Jean-Michel Jarre

Software, Théorie

MPE and DAW

8 octobre 2022 Vincent Claus Laisser un commentaire

How to Set Up MPE in DAWs that Don’t Support It.

How to Set Up MPE in DAWs that Don’t Support It

Software, Théorie

Your DAW as a Modular System?

27 septembre 2022 Vincent Claus Laisser un commentaire

A different way of approaching your digital audio sequencing software and its plug-in processors.

Your DAW as a Modular System?

Concert, Matériel, Théorie

Abba Voyage Review

18 septembre 2022 Vincent Claus Laisser un commentaire

Ten live musicians. One hundred and sixty cameras. Two hundred and ninety-one speakers. Five hundred moving lights. One thousand Industrial Light & Magic visual effects experts, working one billion computing hours. One thousand, six hundred seats. Eight hundred and seventy thousand watts of audio amplification. And 65 million pixels on one state-of-the-art screen.